Design principles for wood carving 1
3 Segments
Design principles for wood carving 2
3 Segments
Design principles for wood carving 3
3 Segments
Design principles for wood carving 4
4 Segments
Finding the Golden Spot 2-1
Hi, I'm Alexander Grabovetskiy.
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Alex,
I’ve been through all of these design videos (first 3 chapters so far). This is one of the best explanations I’ve seen. I have 3 or 4 books on the golden ratio, golden proportions. I don’t recall any f them talking about golden points of the Baroque and Sinister lines.
Q: In your example ((Design principles for wood carving 2) of the baroque and sinister lines, is that for a “western, top dominant” design? Does the placement on those lines change for Eastern or lower dominant designs?
Thanks
Steve
Thank you so much for these wonderful insights. I am also an oil painter and tgis knowledge goes across the board with masters techniques,
Alex, if the Baroque diagonal rises to the right is that for westerners?
Earlier you said easterners see it opposite. Would that mean the Baroque would be rising to the left for them or is it not an issue?